Appreciating and Elevating the Everyday

Jascin N. Leonardo Finger • December 15, 2012

As the curator of a historic house museum that dates to 1790, I have a deep appreciation, enthusiasm, and affection for historic architecture and objects from the eighteenth and nineteenth centuries and earlier. I grew up surrounded by antiques and old houses. I was brought up to appreciate their simplicity, beauty, and utilitarianism. And this in turn, became a part of my occupation and what I surround myself with not just at work but in my personal life as well.


But, I also have a deep appreciation for everything from Philip Johnson’s Glass House and Le Corbusier’s work to Mies van der Rohe, Frank Loyd Wright and McKim, Mead and White designs. I appreciate the Art Deco style, pieces from the early twentieth century, and items designed in the 1950s and 1960s. I find the everyday item, whether it be a mixing bowl, hammer, a simple nail, a door knob, or even a pottery shard beautiful. There is beauty in each of these pieces – they were made for a purpose, designed by an individual, used by many. Many people have touched that door knob as they have gained access to the interior of a house, the bowl has been used to make breads or cakes, the hammer has been owned by and used by my great grandfather and now I use it. The nail I uncovered in the Mitchell House yard or the pottery shard are items once used by the family. It may no longer be useful but it is beautiful in its simplicity, for what it was once used for, and for what it tells us about the past.


We need to look at items from the past − even if their original intended use is outdated and they are not useful for that purpose now − such as the items pictured here. I came across several of these when visiting an antiques show with my parents and it took me a minute to realize what they were. Now, what a beautiful way to appreciate the craftsmanship and design that went into these. Yes, they may still be utilized if one is restoring an old car, but displayed like this in a wrought iron stand allows a person to better appreciate what today is typically a piece of plastic and which (in my opinion) very little imagination has gone into designing. Some of the same companies that designed these lens covers for headlights also made glassware – as in dishes, glasses, and vases. Yes, that is what these are: headlight lens covers.

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By Jascin N. Leonardo Finger November 3, 2025
I am not so sure our founders would love that title but the image is of the Maria Mitchell Vestal Street Observatory (MMO) “from the rear.” I love this image as it is really the only one we have – unless you count the one that is taken from farther away and from further into the backyard of the Mitchell House. That one allows you to see the natural slope of the Mitchell House back lawn which would be altered when they added the Curator’s Cottage. Both of the images were taken before the Curator’s Cottage was added at the back of the Mitchell House in the early 1930s – and this one you see here was taken before 1922 when they added the Astronomical Study onto the MMO. It also shows the original dome – which was copper – before it was replaced in 1951 – which is the current dome. The copper did not hold up to our climate here – salt spray, damp, fog. But the new one, shipped over from England, has held up well. The current dome was donated by Margaret Underwood Davis (MMA board president at the time), in memory of her son, Cushing Davis who was an amateur astronomer. Margaret Davis served as president from 1930-1946 and again from 1949-1953. The image tells you some other things too. For instance, the grape arbor behind the Mitchell House is supposed to be Peleg Mitchell’s (Maria’s uncle) grape vine – I have blogged about it several times before – and you can see it in this image. You can also see how the Milk Room connects to the 1850s kitchen. The 1850s kitchen was added by Peleg Mitchell Jr and it’s the first little wart you see with the white pipe attached. The next wart is the Milk Room – also added by Peleg – it’s the one with the shutters on the window. Both still exist it’s just the Curator’s Cottage was attached in the 1930s. You will see another chimney too. It appears alongside the white pipe. That is likely the original chimney to what is now the Astronomer’s Cottage at the MMA. We acquired the Cottage in the 1920s but I believe all of the additions, and the removal of the chimney, were done before we were given it.  Fun! JNLF
By Jascin N. Leonardo Finger October 27, 2025
I have discussed the process and importance of the proper cleaning and conservation of historic stone monuments – cemetery stones – several times before in this blog. This year’s Mitchell House intern, Talia, was also (happily) last year’s intern and due to her college graduation in early June, she missed the annual workshop I have been running concerning the proper care and cleaning of stone monuments. A stone monument enthusiast, I promised Talia we would clean a stone before she left this season. Happily, we did on September 26. We returned together to clean the stone of Charlotte Burdett, Captain of Barzillai Burdett, one of my favorites. I had come across his stone accidentally when prepping to clean another stone for the workshop in June. (I test stones about a month before I clean them to make sure the cleaner will be okay and there are not any issues with it among other things I check for.) I tested the two Burdett stones and after the workshop was over, I remained in the now fairly hard rain showers to clean his stone. At that point, I was sopping wet and I told Charlotte I would return. I always feel badly when I have to return months, or a year, later to complete the stones in a lot. We made fast work of Charlotte’s stone – a little under an hour but the Burdetts’ stones are relatively small and simple. It was also a beautiful day to complete the work. The remainder of this blog will be a bit long because I wanted to share some information on Captain Burdett. He and Charlotte had no children and I have long loved their simple, small gambrel house on North Liberty (not likely a gambrel when they inhabited it). So here we go. In the history of catboats on the island, the Dauntless is my favorite catboat, likely because the owner/captain is a Nantucket “rockstar” of mine. His small gambrel roofed house still stands along North Liberty – a favorite house of mine before I learned a “rock star” inhabited it! The Dauntless was sometimes referred to as the “star boat” because a large red star was sewn on her sail. Built and captained by boatbuilder, Captain Barzillai Burdett, the Dauntless took visitors from the wharves out to the bathing beaches and on clambakes and fishing excursions, beginning in the early 1870s. Two logs of the Dauntless attest to her being a busy boat, enjoyed not only by the passengers, but by her crew as well. The logs live at the Research Library at the Nantucket Historical Association (NHA). At least one was kept by Benjamin Sharp. When he was young, he served aboard the Dauntless with Captain Burdett. Sharp would become a revered island resident. Born in 1858, Dr. Sharp, a zoologist, was a founder of the Nantucket Cottage Hospital, served as Nantucket’s representative in the state legislature, and was an avid sailor and fisherman. In 1904, with Henry W. Fowler, he wrote T he Fishes of Nantucket . Times spent with Captain Burdett must have greatly influenced Sharp. One of the logs dates from July 2 through August 28, 1873, and is a daily record of fishing parties and clambakes the Dauntless provided. The log also includes the names of passengers and where they came from, as well as messages they left for Captain Burdett. Included in the log is this poem: When you go to a clambake, Plenty of chickens you should take, As then you have a second dish For those who do not like shell-fish, For all should indulge, as best they might, “The keen demands of appetite.” The log also has lots of wonderful, comical illustrations − largely drawn by Sharp. Burdett also built whaleboats during the heyday of whaling on the island. Fishing was also his economic mainstay. When summer was over, he would use the Dauntless to fish as many other catboat owners did. The tourist trade had come second to fishing and whaling on the island but, in many cases, may have made fishing secondary in income once tourism took off on island and became much more lucrative. In 1893, artist Elizabeth Rebecca Coffin (a distant cousin of Maria Mitchell’s and one of her students at Vassar), painted a lovely double portrait of Burdett and Benjamin Pease in Burdett’s shack on Old North Wharf called “A Tale of the Sea (Captain Burdett In His Boathouse).” Today, it is in the collection of the NHA. PLEASE NOTE: ONE SHOULD NEVER CLEAN THE STONES IN A CEMETERY, WHETHER THEY ARE YOUR FAMILY’S OR NOT, WITHOUT PERMISSION FROM THE CEMETERY SEXTANT AND HAVING BEEN TRAINED TO PROPERLY CLEAN A STONE. There are quite a few TikToks and other social media posts and people are doing the work incorrectly and damaging and further eroding the stones. JNLF
By Jascin N. Leonardo Finger October 20, 2025
1854, Oct. 23. Yesterday I was again reminded of the remark which Mrs. Stowe makes about the variety of occupations which an American woman pursues. She says it is this, added to the cares and anxieties which keep them so much behind the daughters of England in personal beauty. And today, I was amused at reading that one of her party objected to the introduction of wood floors in American housekeeping, because she could seem to see herself down on her knees, doing the waxing. Throughout Mrs. Stowe’s book there is an openness which I like, no pretense in affectation, religious cant but it is honest habit and not affectation.  While this was written many years before, Maria Mitchell and Harriet Beecher Stowe must certainly have been at least acquaintances as they shared things in common. While Beecher Stowe was not a member of the Association for the Advancement of Women, as Maria was (a founder and a term as president), her sister was actively engaged in several of the organizations that Maria was a part of and there must have been some cross-pollination there. Harriet Beecher Stowe, while working towards women’s rights, focused on slaves’ rights and was not an active member of many of the women’s organizations that her sister was a part of. Maria and Harriet shared friends and acquaintances in common and Mitchell made sure that Uncle Tom’s Cabin quickly appeared on the shelf of the Nantucket Atheneum when it was first published. JNLF
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