Appreciating and Elevating the Everyday

Jascin N. Leonardo Finger • December 15, 2012

As the curator of a historic house museum that dates to 1790, I have a deep appreciation, enthusiasm, and affection for historic architecture and objects from the eighteenth and nineteenth centuries and earlier. I grew up surrounded by antiques and old houses. I was brought up to appreciate their simplicity, beauty, and utilitarianism. And this in turn, became a part of my occupation and what I surround myself with not just at work but in my personal life as well.


But, I also have a deep appreciation for everything from Philip Johnson’s Glass House and Le Corbusier’s work to Mies van der Rohe, Frank Loyd Wright and McKim, Mead and White designs. I appreciate the Art Deco style, pieces from the early twentieth century, and items designed in the 1950s and 1960s. I find the everyday item, whether it be a mixing bowl, hammer, a simple nail, a door knob, or even a pottery shard beautiful. There is beauty in each of these pieces – they were made for a purpose, designed by an individual, used by many. Many people have touched that door knob as they have gained access to the interior of a house, the bowl has been used to make breads or cakes, the hammer has been owned by and used by my great grandfather and now I use it. The nail I uncovered in the Mitchell House yard or the pottery shard are items once used by the family. It may no longer be useful but it is beautiful in its simplicity, for what it was once used for, and for what it tells us about the past.


We need to look at items from the past − even if their original intended use is outdated and they are not useful for that purpose now − such as the items pictured here. I came across several of these when visiting an antiques show with my parents and it took me a minute to realize what they were. Now, what a beautiful way to appreciate the craftsmanship and design that went into these. Yes, they may still be utilized if one is restoring an old car, but displayed like this in a wrought iron stand allows a person to better appreciate what today is typically a piece of plastic and which (in my opinion) very little imagination has gone into designing. Some of the same companies that designed these lens covers for headlights also made glassware – as in dishes, glasses, and vases. Yes, that is what these are: headlight lens covers.

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Do you know what these Mitchell House Junior Historians are doing? It is a good old-fashioned round of hoop rolling. And, they had a lot of fun learning how to use them down at the Coffin School one day. Hoop rolling or hoop trundling were popular from very early on and well into the twentieth century. By early on I mean Ancient Greece even. It’s on ancient pottery and was not limited to children! Native Americans, ancient Rome, 16 th century England – it’s been known by different names, taken various formats, played by various ages, and played through various ages. In the nineteenth century, both boys and girls did hoop rolling – and it was likely seen as a more “ladylike” active game that girls could play. I’m assuming that is likely the reason why several women’s colleges still have I tradition of rolling hoops. We use these sometimes in the summer during our weeklong Mitchell House children’s program – Junior Historians. Do not be too surprised if you see me out on the lawn on Vestal Street practicing on warm days this fall, winter, and spring! Got to get up to speed! JNLF
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I’m sure you’ve seen it as you trek about the island – near the beaches and ponds. This image is of the swamp or marsh mallow that we have on Vestal Street in our garden out front of the Observatory. It can grow in drier places – though it’s not as lush as at Capaum Pond or out in Quaise. It’s in the Hibiscus family – and is fairly tropical looking and always a delight to see.  “When in bloom, one of the most showy plants of the Island, for a mass of the magnificent, large flowers on the edge of a blue pond causes one’s heart to thrill at the wealth of deep pink colour . . .” from Nantucket Wild Flowers, Alice O. Albertson (cousin of Maria Mitchell), 1921. JNLF
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