Collecting Addiction

Jascin N. Leonardo Finger • March 18, 2013

I must confess, I have an addiction.


I like to...


...collect.


Not so surprising for a historic house museum curator. My “addiction” encompasses several specific areas. I am not a hoarder, I do not collect junk in my backyard and the basement is not filled with “things.” Some people might find what I collect useless, but sometimes the simple everyday item, from a nail to an old railroad spike, intrigues me for its simplicity and its beauty.


If you know me, or if you have read the “Portrait of the Curator as Darth Vader” entry for this blog, then you realize that I don’t preen in front of the mirror. Given the fact that mostly just the books and archives see me all winter, my hair typically looks like it needs a good combing (since I am pulling goggles and respirator on and off all day) unless I have a meeting or I am out in public.

But I do have a thing for a good “kitchen” mirror. Typically a mirror of the mid to late 19th century, it is rectangular in shape with rounded corners and hopefully some nice grain painting on the wood frame. Oftentimes, you will find crazing in the glass and black marks or missing “mirrored” areas caused by the loss of the silver painted onto the back of the glass. I like these mirrors for the simpler time they speak of and for the simplicity of their style, but also for their patina of time. In the Mitchell House, we have a mirror of a similar age and shape used by Peleg Mitchell Jr. for shaving.

 

Enamel is another fascination of mine. Enamelware could be found throughout kitchens in many parts of the world. Enamelware took off in popularity in the United States in the latter half of the nineteenth century – all shapes and sizes, all sorts of domestic uses from slotted spoons to cups, pitchers, strainers, plates, or basins. Think of it as 19th century Tupperware and the child of tinware. You might even be familiar with the enamel numbers for homes or streets. Enamelware can be plain, mottled, or marbled – the marbled being much harder to find and thus more prized. In my collection, I have one cup that was once part of a four piece set that belonged to my grandmother’s family. They used it when they went camping. I guess when family camping stopped, the cups got used for other purposes until only one was left. This one had become a birdseed scoop until it was given to me by my Mother who knows of my enamelware fetish. But even as a scoop, it was still being used and thus memories of family camping persisted and memories of those who used it were an everyday thought. Now on the top of an old jelly cupboard, it is still a daily memory of my grandmother, her parents, and her brother as I see it each day in the kitchen.


Depression-era glass (Depression Glass), 18th and 19th century pottery shards – yes, I have been known to dig in dirt piles – old bottles that I have unearthed in same named piles or at the ̓Sconset dump, seaglass, and historic postcards specifically of the Mitchell House are also some things I collect. (When my husband found out the price I paid for a vintage postcard of Mitchell House on eBay, I thought he would faint.) I also collect other images of Mitchell House, such as paintings and old photographs – I myself am a photographer of historic architecture with a focus on forgotten buildings especially those facing demolition by neglect – and McCoy wear. Since I am also a gardener, one can never have too many pots for plants and McCoy made many styles of pots including those with attached saucers! And then, I also love a good mid to late 19th century simple wood chair...



All of these items are used in a myriad of ways and continue to function as they were meant to be used or in new ways. Each item has some personal memory for me or my family depending on whether it was something I found while on a walk along the beach, digging in the dump, or a shop in New Orleans or something that belonged to my grandmother, great-grandmother, or a great-great aunt. These pieces connect us to the past and connect us to family members who may not be with us any more – but they are with us each time you use that cup or look into that mirror, they are there and you think of them. The past and the people of the past continue to live on.


JNLF

Recent Posts

By Jascin N. Leonardo Finger April 6, 2026
Well, actually replace the roof! With funding from the Community Preservation Act and the work of Lydon and Sons, Inc. the Mitchell House is getting a new roof. The current one had come to the end of its useful life. A cedar roof can last a long time – longer than asphalt – and is more historically accurate. The roof we are removing was installed in about 1992 – replacing a roof from the 1930s that was not cedar but a combination of materials that actually yes, did last sixty years. The unfortunate issue has arisen that the roofwalk (walk) has to be replaced. This is NOT the original walk – nor that old of a walk. It’s likely from the 1970s or so and has been cobbled at over time. It’s not a functioning walk – no one is allowed on it – but the Mitchell House needs it none the less. Maria Mitchell and her father, William, likely used the walk for astronomical observations – in addition to the yard – but the walk is also protected as part of the preservation easement on the House. Walks – NOT and NEVER called widow’s walks – were used for preventing and putting out chimney fire and roof fires. In a place where wood was expensive and had to be brought from “the main” these were purely utilitarian. What good Quaker (or non-Quaker) would build a platform for his wife to stare out to the harbor to see if her husband was on his way home? The other issue is that the walk was completely resting on the ridge board – and actually was notched to accept the pitch and tip of the ridge board so they couldn’t work around it. I suspect this may have been the ways walks were once built – and also a crafty and smart thinking carpenter who came up with the idea. It makes the walk lower. But between that issue and the age of the walk and then the blizzard of February 2026 that packed gusts over 83 MPH (that’s Category 1 hurricane winds) the walk gave in. Balusters had been knocked out and the railings were loose and pulling away from the posts. So, we will also be working with Barber and Sons to create a new roofwalk – and they agreed to do this for us quickly which is also no small feat given how busy everyone is these days. So from the bottom of the Mitchell House’s heart (and mine) a big thank you to Chris Lydon and Lydon and Sons and crew, Barber and Sons / Beau and Nate Barber, the Community Preservation Committee, and Nantucket Preservation Trust (our easement holder)! JNLF
April 1, 2026
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
April 1, 2026
NANTUCKET, MA—The Maria Mitchell Association (MMA) invites the community to “Dark and Quiet: Astronomy in the Age of Satellite Constellation” presented by Dr. Joshua Reding for its April Science Speaker Series. This free presentation will take place Wednesday, April 15 from 7 – 8pm on Zoom. In the past decade, the number of active satellites in Earth’s orbit has grown by a factor of 10. This breakneck growth in the commercial space industry has turned entrepreneur, investor, and policymaker eyes to the skies, but in the process has boxed out the historic stewards of the space domain: scientists. Explorers and pioneers across human history learned that uncharted territory hides unprecedented challenges, but the consequences of decisions made towards occupying the “final frontier” do not abide by international borders. Space operators therefore ignore the warnings and concerns of scientists not only at their own risk, but at the risk of everyone living under increasingly crowded skies. In this conversation, Dr. Josh Reding will explain how astronomers are trying to inform and guide policymaking for the rapidly changing space environment, both informally through volunteer action and advocacy and formally in domestic and international policy forums. Dr. Reding is an optical astronomer by training and now a radio spectrum manager by profession. He completed his B.A. with a double major in Astronomy-Physics and Philosophy at Colgate University, and his M.S. and Ph.D. in Physics from the University of North Carolina at Chapel Hill. His research investigated unusual white dwarf stars that likely formed in stellar mergers as “failed” supernovae and he has also designed astronomical instrument components and installed them at world-class observatories. Concurrent with the completion of his Ph.D., Reding began his professional science policy career as a North Carolina STEM Policy Fellow in the NC Department of Commerce’s Office of Science, Technology & Innovation. He was then selected for the American Association for the Advancement of Science Science & Technology Policy Fellowship, which places scientists in federal offices as expert contributors to ongoing agency missions. This event will be held via Zoom. Pre-registration is required. To register for the free, virtual event, use the registration link: https://us06web.zoom.us/webinar/register/WN_5MoAybp5QHCasQ0QE5xmgQ#/registration The Science Speaker Series is generously sponsored by the Maria Mitchell Association’s lead sponsor, Bank of America. The Maria Mitchell Association was founded in 1902 to preserve the legacy of Nantucket native astronomer, naturalist, librarian, and educator, Maria Mitchell. After she discovered a comet in 1847, Mitchell’s international fame led to many achievements and awards, including an appointment as the first professor of astronomy at Vassar College. Maria Mitchell believed in “learning by doing” and today that philosophy is reflected in the MMA’s mission statement, programs, research projects, and other activities. The Maria Mitchell Association operates two observatories, a natural science museum, an aquarium, a research center, and preserves the historic birthplace of Maria Mitchell. A wide variety of science and history-related programming is offered throughout the year for people of all ages. ###
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