Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • November 14, 2016

Nov. 23 {1870}


My dear Lizzie {Williams, Vassar Class of 1869},


 . . . And you are so all over a radical, that it won’t hurt you to be toned down a little. And in a few years (as the world moves) your family will have moved one way and you the other, a little and you will suddenly find yourselves in the same plane.


It is much the way it has been between Miss Lyman {Vassar’s Lady Principal} and myself. Today she is more of a Women’s Rights woman than I was when I came here, while I begin to think that the girls dress better at tea time . . .


I have learned to think that a young girl better not walk to town alone even in the day time. When I came here I should have allowed a child to do it. But I never knew much of the world, never shall, nor will you . . . we are both a little deficient in worldly caution and worldly policy . . . .


Lizzie is Elizabeth Williams Champney, a Vassar College student of Maria Mitchell’s who would become a close friend.  Her artist husband would paint a portrait of Maria later in her life – the couple had named a daughter after Maria Mitchell – and at least one of Lizzie’s books was dedicated to Maria Mitchell.  While a student at Vassar, Lizzie wrote a mock-biblical account of the life of Vassar’s founder, Matthew Vassar, that was claimed to be “shocking” and banned from the campus by Principal Lyman.

Lizzie was raised in Ohio by abolitionist parents – more than likely Quaker – thus she and Maria  shared a somewhat similar upbringing and also one of some sheltering.  This is noted throughout Maria’s letter to Lizzie – the trusting nature of non-worldly people as Quakers were – their trust for one another and “worldly” people (non-Quakers).  But also the equality factor – that a young woman should have no qualms of walking freely as Maria and other women did on Nantucket; as Lizzie did in her Quaker community at home.


Quakers were not just the leaders of slaves’ rights, they were also the leaders among women’s rights having been raised in families, religious meetings, and communities where women were treated as equals.  But being more radical in one’s views and actions would still bring some consternation among Quakers as no doubt Lizzie’s family was.  And Maria, as she noted to Lizzie, was not so radical nor such a woman’s rights woman.  Her upbringing had taught her that everyone was equal so it was a shock for Maria when confronted with a different way of treating women as she found off her Nantucket home.  This letter to Lizzie seems to serve as a gentle reminder or a gentle guidance to keep that in mind.


JNLF

Recent Posts

By Jascin N. Leonardo Finger November 10, 2025
A re-blog from years past. The item you see here is a small piece of what once was. Upon her visit to Europe as a young woman’s chaperone in 1857 –1858, Maria Mitchell visited many of the major observatories of Europe and met many of the movers and shakers in the scientific, art, and literary worlds of the continent. While Caroline Herschel (1750 – 1848) and her brother, Sir William (1738 – 1822), were long dead, Maria was able to meet Caroline’s nephew (William’s son), Sir John Herschel (1792 – 1871). All three were astronomers, though Caroline found herself having to give credit – or have her brother accept credit – for much of her work because she was a woman. She has often been credited with the being the first woman to discover a comet. She was likely not – and the other woman who was the first lost credit through history as she had to “give” her comet discovery to her husband. See a pattern? Caroline was just one of many women in a long line of, “She couldn’t possibly do that – she is a woman!” As Maria once said, “But a woman, what more could you ask to be?” But back to this small item. It was a page from one of Caroline Herschel’s notebook’s, torn from its home by John Herschel to serve a s a memento for Maria of her visit to the family’s home. Maria was a bit shocked but . . . she took it! Over the years, the paper tore and ripped and just crumbled away until Maria finally decided that to save it, she needed to past it into one of her own journals. And thus, we have what we have. I assume Caroline’s notations refer to her brother William – “Wol” and Woll.” It could be an “I” but it really looks like an “O.” She is considered the world’s first professional woman astronomer – she would be compensated for her work after some time – and she warrants a greater look at – too much for a blog. So I encourage you to go take a look at her. Maria would want you to! JNLF
By Jascin N. Leonardo Finger November 3, 2025
I am not so sure our founders would love that title but the image is of the Maria Mitchell Vestal Street Observatory (MMO) “from the rear.” I love this image as it is really the only one we have – unless you count the one that is taken from farther away and from further into the backyard of the Mitchell House. That one allows you to see the natural slope of the Mitchell House back lawn which would be altered when they added the Curator’s Cottage. Both of the images were taken before the Curator’s Cottage was added at the back of the Mitchell House in the early 1930s – and this one you see here was taken before 1922 when they added the Astronomical Study onto the MMO. It also shows the original dome – which was copper – before it was replaced in 1951 – which is the current dome. The copper did not hold up to our climate here – salt spray, damp, fog. But the new one, shipped over from England, has held up well. The current dome was donated by Margaret Underwood Davis (MMA board president at the time), in memory of her son, Cushing Davis who was an amateur astronomer. Margaret Davis served as president from 1930-1946 and again from 1949-1953. The image tells you some other things too. For instance, the grape arbor behind the Mitchell House is supposed to be Peleg Mitchell’s (Maria’s uncle) grape vine – I have blogged about it several times before – and you can see it in this image. You can also see how the Milk Room connects to the 1850s kitchen. The 1850s kitchen was added by Peleg Mitchell Jr and it’s the first little wart you see with the white pipe attached. The next wart is the Milk Room – also added by Peleg – it’s the one with the shutters on the window. Both still exist it’s just the Curator’s Cottage was attached in the 1930s. You will see another chimney too. It appears alongside the white pipe. That is likely the original chimney to what is now the Astronomer’s Cottage at the MMA. We acquired the Cottage in the 1920s but I believe all of the additions, and the removal of the chimney, were done before we were given it.  Fun! JNLF
November 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
Show More