Missing Pieces

Jascin N. Leonardo Finger • January 17, 2017

Sally Mitchell Barney is seated lower right.

Unfortunately, and frustratingly, in history we will always have missing pieces. In particular, about daily life, the details of a person’s life, and about the average person who went unnoticed as she/he did her/his work and lived her/his life.


On occasion, we get a better glimpse into daily life when we come across a person’s personal journals and letters, account books, even photographs if it is late enough in time. It still doesn’t tell you every last detail, but it does help.


People think I know everything about Maria Mitchell. I do not not. I know a great deal but not everything and not how she felt about everything. We don’t have details about her life as a child besides the few things that were written as an adult or remembered by others. We certainly have large holes of information about some of her siblings, even her mother, Lydia Coleman Mitchell. And these holes are always something I try and keep filling. I will never fill them all in but little pieces do help to paint a picture.

This fall, I and the Mitchell House, had the good fortune of meeting a couple from New Mexico who were on a New England tour. The wife is from an old New England family – ancestors on the Mayflower (says I, the descendant of late 19 th and early 20 th century immigrants from Ireland, Germany, and Italy) – and ancestors who lived on Nantucket, including her great grandmother, Eliza Gardner Heaton, who was born on Nantucket to Prince and Mary Gorham Gardner in 1816. Eliza was a friend of Sally Mitchell’s (also born in 1816), the oldest sister of Maria Mitchell, and friendly with Maria as well. Even better, Eliza attended William Mitchell’s schools. This couple very kindly provided me with the recollections and notes of Eliza as they reference Sally and William and Maria as well.


I awaited the copies in the mail, and still having to close up Mitchell House for the winter, I was only recently able to begin reading the documents though I have been hankering since they came in the mail (I allowed myself a cursory look then). And they have proved more than useful as they have provided me with information to fill a few holes not just about Sally, but William’s school as well – even a tidbit or two about Maria!


So, a few holes have been filled with many more gigantic ones to slowly fill in. Maybe someday they will get filled to some extent. But for now, I have some more pieces to use to tell the Mitchell story and also to put into our archives for future reference and for others to use to fill other holes!


JNLF

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By Jascin N. Leonardo Finger November 10, 2025
A re-blog from years past. The item you see here is a small piece of what once was. Upon her visit to Europe as a young woman’s chaperone in 1857 –1858, Maria Mitchell visited many of the major observatories of Europe and met many of the movers and shakers in the scientific, art, and literary worlds of the continent. While Caroline Herschel (1750 – 1848) and her brother, Sir William (1738 – 1822), were long dead, Maria was able to meet Caroline’s nephew (William’s son), Sir John Herschel (1792 – 1871). All three were astronomers, though Caroline found herself having to give credit – or have her brother accept credit – for much of her work because she was a woman. She has often been credited with the being the first woman to discover a comet. She was likely not – and the other woman who was the first lost credit through history as she had to “give” her comet discovery to her husband. See a pattern? Caroline was just one of many women in a long line of, “She couldn’t possibly do that – she is a woman!” As Maria once said, “But a woman, what more could you ask to be?” But back to this small item. It was a page from one of Caroline Herschel’s notebook’s, torn from its home by John Herschel to serve a s a memento for Maria of her visit to the family’s home. Maria was a bit shocked but . . . she took it! Over the years, the paper tore and ripped and just crumbled away until Maria finally decided that to save it, she needed to past it into one of her own journals. And thus, we have what we have. I assume Caroline’s notations refer to her brother William – “Wol” and Woll.” It could be an “I” but it really looks like an “O.” She is considered the world’s first professional woman astronomer – she would be compensated for her work after some time – and she warrants a greater look at – too much for a blog. So I encourage you to go take a look at her. Maria would want you to! JNLF
By Jascin N. Leonardo Finger November 3, 2025
I am not so sure our founders would love that title but the image is of the Maria Mitchell Vestal Street Observatory (MMO) “from the rear.” I love this image as it is really the only one we have – unless you count the one that is taken from farther away and from further into the backyard of the Mitchell House. That one allows you to see the natural slope of the Mitchell House back lawn which would be altered when they added the Curator’s Cottage. Both of the images were taken before the Curator’s Cottage was added at the back of the Mitchell House in the early 1930s – and this one you see here was taken before 1922 when they added the Astronomical Study onto the MMO. It also shows the original dome – which was copper – before it was replaced in 1951 – which is the current dome. The copper did not hold up to our climate here – salt spray, damp, fog. But the new one, shipped over from England, has held up well. The current dome was donated by Margaret Underwood Davis (MMA board president at the time), in memory of her son, Cushing Davis who was an amateur astronomer. Margaret Davis served as president from 1930-1946 and again from 1949-1953. The image tells you some other things too. For instance, the grape arbor behind the Mitchell House is supposed to be Peleg Mitchell’s (Maria’s uncle) grape vine – I have blogged about it several times before – and you can see it in this image. You can also see how the Milk Room connects to the 1850s kitchen. The 1850s kitchen was added by Peleg Mitchell Jr and it’s the first little wart you see with the white pipe attached. The next wart is the Milk Room – also added by Peleg – it’s the one with the shutters on the window. Both still exist it’s just the Curator’s Cottage was attached in the 1930s. You will see another chimney too. It appears alongside the white pipe. That is likely the original chimney to what is now the Astronomer’s Cottage at the MMA. We acquired the Cottage in the 1920s but I believe all of the additions, and the removal of the chimney, were done before we were given it.  Fun! JNLF
November 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
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