Portrait of the Curator as Darth Vader

Jascin N. Leonardo Finger • February 6, 2013

Maybe the work life of other curators can be glamorous but such is not the way of the world for a historic house museum curator among others. This is me as I appeared on January 22, 2013. What’s that you say? Where are the pearls? The glamorous outfits? The media wanting to know about the recent finds? A camera following me through exhibit halls looking at the latest exhibition of work by some great master? Alas, no. My fine clothes collect dust and moths in my closet.


I wear many hats and glamour girl is not one of them. As many of us in the historic house museum world (and in other venues within the museum world) will attest, we do many things and wear many, many hats. Thus, this is what I am typically wearing – my delightfully snazzy and very flattering 3M Niosh respirator with hot pink filters (the hot pink makes it hard to color coordinate my outfits). You have been spared my white cotton gloves, white Tyvek suit, and safety glasses (though I cannot SEE ANYTHING with them on!)



Why do I dress like this? It is required. I am protecting myself from dirt, dust, and any possible mold that might be on the Special Collection books that I am cleaning. Not much mold thankfully, but unfortunately still lots of dust that has escaped the “wrath” of dusting. But this is something you don’t want to breathe in too much of and if I did not wear this respirator in particular I would find myself with some nice respiratory problem. It’s not like dusting or vacuuming in your home – it’s incredibly concentrated and literally in your face.


I brush the cover, spine, and the text block of the book first with a brush. Then I wipe those same areas with a vulcanized rubber sponge. At all times I am working away from the spine so that I am not depositing dust or other particles into the spine. Then, I vacuum those same areas with a HEPA vacuum that keeps all of those particles inside. I do this for each and every book. Sometimes, I need to tie the book up because the cover or spine is in rough shape. Othertimes, I have to build a small box enclosure with special acid free board or cardboard or encapsulate it in a Tyvek envelope because of the condition of the book or cover. Once I have a box full, I move the books to our new climate-controlled storage area and place the books on special enameled shelves made just for the storage of Special Collection books. No off gassing here – books must be protected as best as we can from all sorts of elements. And then, I return to the Wing and clean more. I do spare my colleagues my mask when I move the books over to the other building – but I do give them a fright when they come in to see me and I am in my mask. Today, I am going for the preppy look – green sweater to go with my hot pink filters!


I say (some of) this in jest. What I am doing is crucial to the preservation of these books. And, being able to handle and look at each book helps me to better understand the extent of our amazing collection and also its condition. And in some cases, as you have seen in the past on this blog, I share some of the amazing finds with you.


JNLF

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By Jascin N. Leonardo Finger June 30, 2025
As we are now complete with the conservation of the historic Maria Mitchell Vestal Street Observatory (MMO), I thought it would be good to post a series of blogs concerning it history and activities, as well as some of the amazing people who have made it what it is over the last 100 plus years. Therefore, over the next few weeks, the focus will be on the MMO. And it is now open for tours – Monday through Saturday 11-1PM. Founded in 1902, the Nantucket Maria Mitchell Association (MMA) had its beginnings in the Mitchell House where Maria Mitchell was born. Over the first few years, the preservation of the Mitchell House, family artifacts, and the collection and display of Nantucket’s native flora and fauna, as well as a small library, were the key components of the MMA. Special “Moon Evenings” were held on the lawn and people observed Nantucket’s night skies using several small telescopes, including William and Maria Mitchell’s two-and-three-quarter-inch Dollond telescope. The popular evenings led to the inevitable – a desire and need to expand based on the demands of the visitors to, and members of, the MMA. In 1906, Lydia Hinchman, a founder of the MMA and a family member, purchased the house and lot adjacent to the Mitchell House. The house – once the home of William Mitchell’s father and mother – was taken down. The MMA began a dialogue with the Harvard College Observatory and its director, Edward Pickering, Ph.D. The connection to Harvard was to become essential to the success of the beginning years of the Maria Mitchell Observatory and continued a legacy of friendship and work – Maria Mitchell and her father worked with the Bonds who once ran the observatory at Harvard and the families were close friends. Besides his assistance, Pickering asked a member of his staff, Annie Jump Cannon, to assist the MMA. This “provided an indispensable collaboration for Nantucket astronomy,” with Cannon spending two weeks on the island in 1906 and 1907 lecturing and teaching. While back at Harvard, she continued to teach the students on Nantucket by mail. Cannon would go on to be recognized as the leading woman astronomer of her generation and as the founder of the MMA’s Astronomy Department. JNLF
By Jascin N. Leonardo Finger June 23, 2025
An older term, that we seem to not use that much anymore but maybe that’s in part because not many people “put things by” anymore. It is having a bit of a resurgence as people try to return to the garden and focus on local produce. My in-laws used to spend a lot of time – before I knew them – canning and preserving many different things – from jellies to string beans that became “dilly beans.” I, on the other hand, do not can produce. Frankly, I fear messing up the process and making my family sick. So, for now, I stick to making refrigerator jams and pickles. I have made some chive vinegar – that is frankly, amazing, and a brilliant shade of pink! But in any case, Bartlett’s Farm opened for pick-your-own strawberries on June 7 and I made my way over on June 8. My son has been asking for strawberry jam since about February – I told him I wait for fresh and local but he wanted some so badly he was begging for store bought. I almost caved but then I told him – out of season and they taste like cardboard – and also made a LONG journey to get to us. Once people ate with the seasons – now we do not have to with trains, planes, and ships crossing all over. It is also, why, oftentimes, fruit has no flavor. Produce is picked often before it ripens and “ripens” as it ships – or with sprays – and since many varieties have been crossed with others or engineered, we have lost the taste. I remember tasting a peach a few years back from North Carolina – fresh off the tree. After rubbing it to get all the “fur” off, I bit into an exquisite peach that tasted like a peach of my youth. So, Maria was not eating a strawberry in January but she was eating them in June – local and full of flavor. And likely, putting some by as well. JNLF
By Jascin N. Leonardo Finger June 16, 2025
June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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