Snead and Company: Builder of the MMA Library Wing, 1933

Jascin N. Leonardo Finger • April 23, 2014

n the early 1930s, the Maria Mitchell Association realized that it needed more room for its Library. The William Mitchell Schoolhouse (the shingled portion of the Library that opened as such in 1920) was overwhelmed with the book collections and the Maria Mitchell Papers, Mitchell Family Papers, and Maria Mitchell’s own books and those of her family. All needed better and more secure space. So, in the midst of the Great Depression, they began the process of planning and fundraising for an addition that would be fireproof and secure. This was no small feat at this time and letters in the MMA Archives discuss that they were knowingly taking on such a project when people were facing economic hardship. They feared they would struggle to raise the funds but knew that this was very much needed for the organization. They also knew it would be of great benefit to islanders and visitors alike. Money came from far and wide, from small amounts to fairly large amounts.


After putting the new Fireproof Wing (Wing) out to bid with many separate bids for the different components, the MMA heard from Snead and Company of New Jersey, a company well-known for the state-of-the-art library stacks and libraries that it created.

The Snead and Company cast iron book stacks were found all over the world and even closer to home at the likes of Harvard and the Washington, DC Public Library. Snead and Co. would go on to “revolutionize and standardize” library book stacks. They would also develop a lighting system and the first compact shelving. Their shelving could be easily modified and they helped to advocate for open stacks beginning in the 1930s. MMA made the decision to use Snead and Company with local contractors working with Snead to complete the project from foundation to dry wells to paint and stucco.


Because of its decision, MMA was the recipient of state-of-the-art library stacks and the new Snead lighting system. Snead oversaw all of the building of the Wing, under the direction of well-respected architect Alfred Shurrocks who lived up the street, was a friend to the MMA, and was married to a Mitchell family descendant! In building the Wing, they utilized the NatCo Double Shell Load Bearing Tile, a wall system of terracotta tiles that is fireproof and exceptionally strong. Just take a look at one of their advertisements that I found.


As MMA works towards the conservation of the exterior of the MMA Library and Wing, funded by the Community Preservation Act, and the re-use of the interior into a lab/classroom and state-of-the-art natural science collections storage, we will be working within the framework of the building, continuing to utilize the Snead stacks for storage. I have already written about the conservation of the roof tiles last fall, so stay tuned for reports on upcoming work which includes the beginning of work on the stucco, steel, and terracotta tiles this spring.


JNLF

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By Jascin N. Leonardo Finger June 23, 2025
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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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