What’s New in Mitchell House? Peleg Jr.’s China!

Kelly Bernatzky • July 9, 2018

We have some new artifacts over here at the Mitchell House! We recently acquired Peleg Mitchell Junior’s (Maria Mitchell’s uncle) blue and white Ridgway china set as a generous gift from his descendants. All in all, there are thirty-seven pieces in this set and they have gone on quite the journey!


Based on their color and pattern, we believe the china dates to around the 1830s. According to the family, the china originally belonged to Mary Ann Whippey, who was Peleg Mitchell Jr’s first wife. The china stayed with the Mitchell family, even after Mary’s death in 1836. In fact, the china came to the Mitchell House in 1837 when Maria’s father sold the house to his youngest brother, Peleg Jr, so Maria’s family could move to the apartment above the Pacific Bank. Peleg Jr had recently married again to another Mary (just to keep things confusing), known by the full name of Mary Swain Russell. After Peleg Jr died, Mary Russell still spent the summers here on Nantucket, but the rest of the year she spent time in Philadelphia visiting her daughter, Lydia. At some point, the china made its way down to Philly and later to Gladwyne, PA, with Lydia’s daughter (Mary and Peleg Jr’s granddaughter). The china continued moving with the family’s descendants, some of it going to Delaware and the rest of it taking a trip to Vermont. Now, it’s all back together at its original home – the Mitchell House!

The china we have is the Asiatic Palaces pattern, which was produced by Ridgway Potteries. In the full image, you can see a scene that takes place along a river, with the focus on two people standing by an ornate gate and a large pagoda. In the background, there is a bridge, a boat, and some other pagoda-style buildings along the riverbank.

But if you look closely at our set, you might notice that the small ladle (below) and one of the plates (above) have a different blue and white pattern, as if trying to blend in with the rest. The plate still says Asiatic Palaces on the bottom, but instead of focusing on the people by the pagoda, this plate’s scene is a close-up of the bridge and the boat. The small ladle, on the other hand, has nothing to do with Asiatic Palaces and is actually a completely different pattern! Though still blue and white, this ladle has an image of a windmill. According to the family, this ladle has been used with the rest of this set for as long as they can remember!

Now, in addition to these two pieces with totally different designs, if you look reaaaally closely at the rest of the set, you might notice that the pagodas are different shapes and the people are wearing different clothing or standing in different places from piece to piece. This seems a bit unusual for transfer-ware, which is not hand-painted and is usually mass-produced.


You might also be wondering why there is a ruler in the pictures of the up-close china. That’s because these are the photos we took to put into our records as we process and accession each item. These pictures provide a great opportunity for you to catch a glimpse into what we’re working on behind-the-scenes at Mitchell House!

Stop by to check out this china set on display in the Mitchell House pantry!


Kelly Bernatzky, Mitchell House Intern 2018,  Vassar College 2019

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The Birth of the Maria Mitchell Observatory: Celebrating Over 100 Years of Discovery

By Jascin N. Leonardo Finger • June 30, 2025
As we are now complete with the conservation of the historic Maria Mitchell Vestal Street Observatory (MMO), I thought it would be good to post a series of blogs concerning it history and activities, as well as some of the amazing people who have made it what it is over the last 100 plus years. Therefore, over the next few weeks, the focus will be on the MMO. And it is now open for tours – Monday through Saturday 11-1PM. Founded in 1902, the Nantucket Maria Mitchell Association (MMA) had its beginnings in the Mitchell House where Maria Mitchell was born. Over the first few years, the preservation of the Mitchell House, family artifacts, and the collection and display of Nantucket’s native flora and fauna, as well as a small library, were the key components of the MMA. Special “Moon Evenings” were held on the lawn and people observed Nantucket’s night skies using several small telescopes, including William and Maria Mitchell’s two-and-three-quarter-inch Dollond telescope. The popular evenings led to the inevitable – a desire and need to expand based on the demands of the visitors to, and members of, the MMA. In 1906, Lydia Hinchman, a founder of the MMA and a family member, purchased the house and lot adjacent to the Mitchell House. The house – once the home of William Mitchell’s father and mother – was taken down. The MMA began a dialogue with the Harvard College Observatory and its director, Edward Pickering, Ph.D. The connection to Harvard was to become essential to the success of the beginning years of the Maria Mitchell Observatory and continued a legacy of friendship and work – Maria Mitchell and her father worked with the Bonds who once ran the observatory at Harvard and the families were close friends. Besides his assistance, Pickering asked a member of his staff, Annie Jump Cannon, to assist the MMA. This “provided an indispensable collaboration for Nantucket astronomy,” with Cannon spending two weeks on the island in 1906 and 1907 lecturing and teaching. While back at Harvard, she continued to teach the students on Nantucket by mail. Cannon would go on to be recognized as the leading woman astronomer of her generation and as the founder of the MMA’s Astronomy Department. JNLF

Putting Things By

By Jascin N. Leonardo Finger • June 23, 2025
An older term, that we seem to not use that much anymore but maybe that’s in part because not many people “put things by” anymore. It is having a bit of a resurgence as people try to return to the garden and focus on local produce. My in-laws used to spend a lot of time – before I knew them – canning and preserving many different things – from jellies to string beans that became “dilly beans.” I, on the other hand, do not can produce. Frankly, I fear messing up the process and making my family sick. So, for now, I stick to making refrigerator jams and pickles. I have made some chive vinegar – that is frankly, amazing, and a brilliant shade of pink! But in any case, Bartlett’s Farm opened for pick-your-own strawberries on June 7 and I made my way over on June 8. My son has been asking for strawberry jam since about February – I told him I wait for fresh and local but he wanted some so badly he was begging for store bought. I almost caved but then I told him – out of season and they taste like cardboard – and also made a LONG journey to get to us. Once people ate with the seasons – now we do not have to with trains, planes, and ships crossing all over. It is also, why, oftentimes, fruit has no flavor. Produce is picked often before it ripens and “ripens” as it ships – or with sprays – and since many varieties have been crossed with others or engineered, we have lost the taste. I remember tasting a peach a few years back from North Carolina – fresh off the tree. After rubbing it to get all the “fur” off, I bit into an exquisite peach that tasted like a peach of my youth. So, Maria was not eating a strawberry in January but she was eating them in June – local and full of flavor. And likely, putting some by as well. JNLF

Maria Mitchell In Her Own Words

By Jascin N. Leonardo Finger • June 16, 2025
June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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